Mark Antony Movie Review mark antony movie download in hindi- Mashhoor abhineta Vishal ne ek baar phir silver screen par apni upasthiti di, iss baar ek sci-fi gangster action drama “Mark Antony” mein. Ismein aur bhi rochak mudda hai, kyun ki is film mein ek prabhavit abhineta SJ Suryah bhi ek mukhya bhumika mein hain.
| मुख्य भूमिका | विशाल, SJ सुर्याह, सुनील, सेल्वराघवन, ऋतु वर्मा, अभिनया, रेडिन किंग्सली, वाई.जी. महेंद्रन |
|---|---|
| निर्देशक | आधिक रवीचंद्रन |
| निर्माता | एस. विनोद कुमार |
| संगीत निर्देशक | जी.वी. प्रकाश कुमार |
| सिनेमैटोग्राफर | अभिनंदन रमाणुजम |
| संपादक | विजय वेलुकुट्टी |
Adhik Ravichandran ki nirdeshan mein “Mark Antony” ne apni pracharik samagri ke zariye mahaul mein utsukata paida ki hai. Uchch aasaiyon ke beech, film aaj cinema gharo mein aa gayi hai. Chaliye, aaiye hum ek vyapak samiksha mein kho jaye aur dekhein ki ye kaisa hai.
Mark Antony Movie Story In Hindi
“Mark Antony” ki kahani Antony (jo Vishal dwara nibhaya gaya hai) aur Jackie Marthanda (jo SJ Suryah dwara nibhaya gaya hai) ke charitrao ke charon aur ghoomti hai, jo gehra dosti ka rishta sajha karte hain. Dono hi bade bhagidar hain ek aise duniya mein jo sangathit apradh se judi hui hai aur ek takatwar gangster Ekambaram (jo Sunil dvara nibhaya gaya hai) ke saath bhadak rahi hai.
Ek din, ek dardnak ghatnayein Ekambaram ke haathon Antony ki mrityu laati hain, jiske parinamasvaroop use shahar chhodna padta hai. Jackie, apne dost ki harji se hai, use ek lambi ichha hai ki venge Ekambaram ke khilaf.
Jackie ek vishesha bhoomika mein pravesh karte hain jab unhone Antony ke bete Mark (jo ki fir se Vishal dvara nibhaya gaya hai) ko apne par lagaya, Mark ko apne svayam ke bete Madhan (jo SJ Suryah dwara nibhaya gaya hai) ke samne rakh kar. Isi beech, Mark, apne pitaji ke prati khed rakhkar, apna guzar basar karne ke liye ek mechanic ki tarah jeevit rahta hai.
Kahani mein ek dhamakedaar mod aata hai jab Mark ek rahasiye telephone ko dhundta hai jo vyaktiyo ke saath bat chit karne ki anumati deta hai, jo bhavishya mein hain. Kaise ye chamatkari upkaran Mark, Madhan, aur Jackie ke jeevan par prabhav dalta hai, ye kahani ke mool hai.
“Mark Antony” dono hi aadho mein manoranjan pradan karne mein safalta paata hai. Film mein hansne ka mahaul ek vishesha telephone ke istemal se pratibaddh hota hai, jiska istemal karne ke liye niyamo ka ek vishesha set hai.
Kahani ho kuch naye bhumika nahi hai, lekin “Mark Antony” ko alag banane wali cheez SJ Suryah aur Vishal ki shandar abhinay hai. Unhone film mein ek taza aur urja bharkar pravesh kiya hai aur bina kisi sangshay ke “Mark Antony” ka man aur atma hain.
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Vishal ka pradarshan prashansaniya hai, chahe woh ek kathor gangster ho ya ek sadharan mechanic. Unki yeh kshamata ki bina kisi rukavat ke in dono alag-alag bhumikao ke beech parivartan kar sakte hain, iske liye unhe taarif hai.
Iske alawa, Vishal ke paas ek majboot screen presence hai jo drishtiyon ko khinche aata hai. Double-decker ladai ki baazi khoobsurat tarike se abhivyakt ki gayi hai aur Silk Smitha ke CGI darshan film ke liye mahatvapurn hain.
SJ Suryah ko unke anupam pradarshan ke liye vishesh pehchaan milni chahiye. Unki hansi ka samay aur akarshak shaili hamesha hansne ka moolya badhati hai. Vishal aur SJ Suryah ke beech screen par hone wala samanvay sparshyon mein anubhav ho raha hai aur unka sahyog ek abhinayi saphalta hai.
“Mark Antony” ek film hai jisme kai muddae aur charitra hain. Agar kisi ka dhyan bhatak gaya hai, to woh samajhne mein mushkil ho sakta hai kaise ghatnayein viksit ho rahi hain. Kabhi-kabhi gati bhi teji se hoti hai aur kuch pehlu aise hain jo adhik vivaran se prastut kiye ja sakte the apne prabhav ko sudharne ke liye.
Film ke dialogues woh dum nahi rakhte jo kuch drishyaon ko ooncha karne ke liye avashyak hai, aur kuch lamhe jo adhik rangin drishya ke liye the, woh deja vu ki bhavna utpann kar sakte hain. Ek achhe shuruaat ke baad, pehle aadhe mein kabhi-kabhi tham jaata hai.
Sabse bada dosh yeh hai ki film mein gaanon ki shamil hone wali baatein hain, jo kahani ki vartaman ko prabhavit karti hain aur kisi prakar ke badhaon ke roop mein kaam karti hain. Valmiki roop se, climax apni aashit purti nahi deti hai aur Sunil ke charitra ko adhik viksit kiya ja sakta tha.
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G.V. Prakash ke sangeet se adhik prabhavit nahi hote, lekin background score film ke tone ke saath mel khata hai aur iska sahitya spasht hota hai.
Utpadan design ki taareef ki jati hai, jo drishtiyon ko guzre huye samay mein le jaati hai. Abhinandan Ramanujam ki cinematography utpadan design team ke sath sahajta se judti hai, film ki visual appeal ko sudharne mein madad karti hai. Editing samanya hai, aur utpadan ki maang me prashansaniya hai.
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Nirdeshak Adhik Ravichandran ko “Mark Antony” mein unke naye approach ke liye shabashi di jati hai. Jaise ki humne pehle kaha, unhone iss film mein vigyan-fiction tatva ko prabhavit tarike se istemal karne ka apna khud ka niyam sthapit kiya.
Unka uddeshya tha ki unhone darshakon ko ek anokha aur manoranjan bhara anubhav pradan karna tha, aur unhon’ne is vichedneeti ke sath mauj-masti ke palon ko ghoomkar banaya. Yah behtar ho sakta tha agar gaanon ko adhik dhyan diya gaya hota.
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